It reminds me of the story he recounted in Decoded when a reporter who had been interviewing him got distracted by the paradoxical pairing of his Jesus piece above a Che Guevara t-shirt, and that Carter was so taken aback by that. I do think, however, that the public persona of the rapper and hustler unfortunately strips the acquisition and appreciation of art to commodity. I also know the difference between the persona of the rapper JAY-Z and Shawn Carter the entrepreneur and, perhaps, aesthete. I know that JAY-Z is an art collector, and his in-ness with art world types has been well-documented (see “Picasso Baby”). The enshrinement of an image, especially something as ubiquitous as the Mona Lisa, can be dangerous, as it strips the work of art of its multivalent interpretations and only uses it as a sign that essentially reads: status. Another uneasy response was immediately thinking of those memes of Puff Daddy standing in front of the Mona Lisa, etc. Art was being used to signify status with no meaning outside of cultural capital and luxury. It's not the responsibility of the artists featured nor the director to give each painting its proper due, but I did feel like the art was only being used as a backdrop in this case. Now, obviously JAY-Z and Beyoncé looking at art at the museum would be a really boring music video (though I would love to be a fly on the wall to overhear their conversation about the Mona Lisa). Art is not merely a photo-op, and posing in front of art is reducing it to a backdrop. People photograph everything, look but don't see, understanding very little of context. My second thought, and I'm not proud of this, was, ruefully "cool, more museum selfies." One of my pet peeves is, in spite of how many visitors there are in museums, how little time people actually spend looking at the art. I'm less sure about this current project. The relationship between Julie Dash and Arthur Jafa's Daughters of the Dust and Beyoncé's Lemonade was, to my mind, a brilliant way to incorporate art in a music video, elevating the music and, in some ways, highlighting the artistic inspiration. The video itself is gorgeously shot, and does show a continued interest in art on behalf of the artists, JAY-Z and Beyoncé, to engage with art (notable precursors being JAY-Z's "Picasso Baby," and Beyoncé's use of David Hammons and Richard Prince in “7/11”). My first reaction, was being thrilled that art was being featured in a music video at all. Trump says he’ll appeal ‘ridiculous’ E.First of all, what were your initial reactions to the “APESHIT” video? Haley calls Trump ‘totally unhinged’ after donor ban, RNC move Veterans group launches ad against Trump in Pennsylvania White House: House GOP has to ‘choose’ between solving border issues and. Owners of iconic Philly cheesesteak shop sentenced to prison for tax fraud Speaker Johnson: Senate border deal ‘dead on arrival’ in House Jury orders Trump to pay $83.3 million for defaming E. Naomi Biden says Fox’s Jesse Watters crossed a lineĭemocratic concerns grow amid RFK Jr. Judge threatens to send Trump attorney Alina Habba to jail over interruptions Trump ordered to pay $83M: Five takeaways This material may not be published, broadcast, rewritten, or redistributed.Ībbott: Texas prepared in ‘unlikely event’ Biden federalizes National Guard “The Louvre’s previous record of 9.7 million dates from 2012, the year that saw the inauguration of the Department of Islamic Art and the presentation of exhibitions on Leonardo da Vinci and Raphael.” TagsĬopyright 2023 Nexstar Media Inc. “No other museum in the world has ever equaled this figure,” the famed art museum said in its statement. The six-minute clip showed the couple posing with some of the museum’s most renowned pieces, including Leonardo da Vinci’s “Mona Lisa,” Rosso Fiorentino’s “Pietà” and the “Venus de Milo.”Ī 90-minute “Jay-Z and Beyoncé at the Louvre” tour was made available to visitors a month after the video’s debut, Page Six noted. The Louvre called the video, which has over 147 million views on YouTube, a “tribute to some of the museum’s greatest artworks.” The 25-percent spike in visitors was bolstered by The Carters’ “Apeshit” music video released in June, the museum said in a statement on Thursday. The Louvre credited a 2018 music video from Beyoncé and Jay-Z with helping the Paris museum boast a record-breaking 10.2 million visitors last year.
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